Stream Reggae Music - Zion Lion of the Twelve Tribes of Judah | Reggae is the source of Unity and Unification for The African Diaspora, Commonwealth Africa and Caribbean, and The African Union | Messages of Justice, Social Accord, Societal Progress and Purgatorial Insight for Blacks
Rastafarian Reggae Audio Mixes profess faith, progress, and societal cohesion for The African Diaspora, The African Union, Commonwealth Africa and The Caribbean | Progress and Change for Black Society including societal development, economic success, and institutional cohesiveness to ensure The Civil Rights promised under The United States Constitution and British Constitution will prevail
A brief Surmised History of Marcus Garvey and The U.N.I.A. as they countered institutional Racism, Xenophobia, and Oppression of The Black African Race whilst maintaining stridence in developing efficacious means to Societal Accord, Social Cohesion, and Institutional Acceptance of Blacks and Black Africans
A Brief History of Emperor Haile Selassie as he worked to Unite Africa and fight against the evilous regimes of The Axis Powers and their doctrines of Oppression which were intended to decay progress in Africa for the purpose of mechanized exploitation
The African Union was chartered consequential to the formation of The Organisation of African Unity to deploy mechanisms of Unity, Societal Cohesion, Sustainable Ethical Economic Progress, Political Integration, Counterance to Conditions of Colonialism, and Institutional Coherence throughout Africa for the purpose of promulgating progress for the continent as it counters the invasive institutional remnants of Colonialism
Flag for Asante Kingdom: The Asantehene sends Emissaries on matters of great importance.  A chief may be sent: once, Aduboufuor, Gyaasehene, was sent to patch up some differences which had arisen between Sem (Nsemaa) and Ahanta, and which had been referred to Asantehene.  This was successfully done, and this led to the friendship between Ahanta and Nsemaa on one hand and Asante on the other in which people from eitherside could insult those of the other without generating any bitterness.

Tony Roots is an excellent Rastafarian Artist representing crucial value for the Reggae Market. His music denotes messages that are sourced on the teachings of Jah and the righteous endowments of the Rastafarian Spirit. Tony Roots' works span to cover vital topics including Institutional Racism and the bodes of Babylon's Evil Systems of Incurred Death for Blacks. He reaches the listener with important messages of Rastafarian Doctrinal Teachings. Many of his works form essential melodies for both newcomers to Rastafari and experts in the Judaic Teachings to cherish. We can see that his singing styles are quite varied yet encompass classic cadences for Rastafarian Chanters to learn from. He is a profilic artist with much hope to reach the masses. His devout faith in Rastafari and the abiding doctrines of Twelve Tribes can be experienced quite clearly in his productions. His messages of devout faith are quite evident throughout his indoctrinating passages. Given his Twelve Tribes of Judah Rastafarian Faith is expounded through his music, we suggest he cover more topics such as the outstanding creativity of this Sect of Rastafarianism. Particularly noteworthy is the means by which Tony Roots henceforth strategizes for Rastafari to be more tactful, strategic, and thoughtful in fighting Babylon's Systems of Oppression. His noteworthy performances stimulate the listeners' ethical foresight with admuring as well as purgeant messages of morality and trust in Jah Rastafari. We see much hope in artists of this nature, particularly for reaching the masses of audiences in regions where Racism was once quite common.

A Dichotomous Sermon from Marcus Garvey: "There are hundreds and thousands, and later on millions of men in this country of Negro Blood who will be thrown out - thrown out into the cold. We anticipated it; we saw it, and we warned the people against it. We did it with the feeling of our sympathies for our own we did it with the conviction that the men with whom we mingled during the war paid us large wages, paid us large salaries with a vengeance, but they were forced, they were compelled to do so, and they did it with a spite and with a vengeance."
For Promotional Use Only
Documenting the process of incurred freedom from Criminal Bondage, whilst Blacks obtain manumission in modern societal context.
Tony Roots - Sufferer's Cry: Crucial Roots Album
African Unity Series
Tony Roots - Sufferer's Cry: Crucial Roots Album

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